I didn't get to post about it previously, but my novel class on Saturday was
awesome. I really feel like I got a lot out of it, and that it will really help me in the long run. The professor was engaging and prepared, but mostly, I appreciated the way that she claimed to not be the God on High when it came to writing. Often, she would make declarations of "you know, this is just something that has worked for me and other writers I know. You might find it more beneficial to approach this differently." She gave us tons of practical tools to move novels along at any and every stage, and I really liked her and the course. I would totally take a class with her again. The four hours flew by like nothing.
My class last night, couldn't have been more different.
The first problem was that it was held at the "Norman Thomas Center," which was just fancy NYU code for "Norman Thomas High School." As one girl I was talking to put it, "It's sort of a combination of hospital and prison, isn't it?" As high schools go, this one is particularly dismal, and my alma matter isn't about to win any design awards anytime soon. But I was willing to put that aside.
I don't know how you can take a class in a subject as rich as comedy and humor and make it as boring as paint-drying techniques, and dry as the Sahara. The professor may be a working writer, but he had no idea how to teach what he was teaching. He handed out some papers, and in talking about the course, suggested that the class would be critiquing one another. I was one of 3 people in the entire course with any writing experience at all, and I don't need to drop a few bills just so that they can tell me my piece had "good flow." The prof clearly knew what he thought was funny, but had no idea how to break down the structure and mechanics in such a way as to convey them in a lesson. Hell, I learned more from Steve Martin's amazing memoir
Born Standing Up and observing funny people in my life.
This is this guy's advice on how to be funny:
1. Observe life. Life provide things to write about that are funny.
2. Wacky relatives are funny, you can write about them.
3. Pain is what makes things funny. All levels of pain are where comedy comes from.
4. Sometimes, the media often writes about stories that can be funny if you think about them. The news can be a great resource of funny.
5. Often, funny essays have things like repetition and rhythm. That makes them funny!
All of these amazing revelations in one place! By jove, I don't know how we could have done it without him! Wacky relatives are funny? Life is funny? Pain causes humor? He's a genius. No one has
ever thought of these things before! And the news being funny? Wow. Never would have thought of that on my own. It's not like Johnny Carson, David Letterman, Jay Leno, Conan O'Brien, Jon Stewart, Stephen Colbert and every other comedy writer since the dawn of the ages ever thought of
that one before.
I'm going to get out while the getting's good, and take my 75% refund while I'm at it. Will Hunting long ago made a point about wasting $150,000 on an education you could get for $1.50 in late charges at the public library, and I think I'm going to take his advice here. I don't need to overpay someone to tell me to understand what I think is funny and model my writing after that style when
I want to be funny. I mean, I appreciate the advice and all, but I've learned more about timing, rhythm, language, pacing, and otherwise how to cause people to snort beverages up their nose by watching
antheia and
ginpalace converse. Ugh.
Oh well. It was an experiment, anyway. I'm
still going to go after that paralegal program, though.